{"id":590,"date":"2022-07-18T16:45:55","date_gmt":"2022-07-18T16:45:55","guid":{"rendered":"https:\/\/www.kinotabs.com\/?page_id=590"},"modified":"2022-07-28T21:15:03","modified_gmt":"2022-07-28T21:15:03","slug":"reviews","status":"publish","type":"page","link":"https:\/\/www.kinotabs.com\/en\/texts\/reviews\/","title":{"rendered":"reviews"},"content":{"rendered":"
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\"\"<\/a><\/figure><\/div>

Filming the War: The Art of Mapping the Routes Politically<\/a><\/h2>

Reflections on the Russian-Ukrainian war in Ukrainian cinema […]<\/span><\/p>

Read more<\/a><\/p><\/div><\/div><\/article><\/div>

\"\"<\/a><\/figure><\/div>

Fifty Shades of (Neo)Colonialism in Russian Filmmaking<\/a><\/h2>

About Russia's centuries-old neo-colonial policy in the field of cinema. […]<\/span><\/p>

Read more<\/a><\/p><\/div><\/div><\/article><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":588,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_locale":"en_US","_original_post":"http:\/\/www.kinotabs.com\/?page_id=71","footnotes":""},"class_list":["post-590","page","type-page","status-publish","hentry","en-US"],"yoast_head":"\nreviews ⋆ kinotabs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kinotabs.com\/en\/texts\/reviews\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"reviews ⋆ kinotabs\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.kinotabs.com\/en\/texts\/reviews\/\" \/>\n<meta property=\"og:site_name\" content=\"kinotabs\" 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